2-09-15
THE KING OF POP!
Everyone knows the King of pop is the one and only Michael Jackson. I recently became a fan of his music within the past couple months. The man knew how to put on a live show. His dance moves are cool and fresh. His singing isn't what I would say the best but he's a true entertainer. There is a lot of controversy around him about the child molestation. In my opinion I believe the family just wanted money, sure Michael was a little creepy but he was a rich dude. Money clouds everyone's minds. That put aside he has some very enjoyable tracks that are classics. Some of my favorite are,
Beat it
They Don't Care About Us
Smooth Criminal
Man In the Mirrior
All in all I think he was great artist and performer. He did a lot for the music industry.
I personally do not think Michael was guilty of what he was accused. It seems that he was just living the childhood he never had. Micheal's father also was known to be abusive toward him and quite harsh. Having bad parents can really have a negative effect on children. I say if he was happy with his Neverland ranch then it was alright. Who wouldn't want their own arcade or a movie theater? I think the allegations against him were done so greedy people could get money for nothing. I think people should read up on the case before you judge him. He still might not be alright in the head, who knows. Michael Jackson will still be remembered for his hits, which made him an 80s icon. I just believe that he had a quirky way of life, and personality that no one could quite comprehend.
-Anthony
THE KING OF POP!
Everyone knows the King of pop is the one and only Michael Jackson. I recently became a fan of his music within the past couple months. The man knew how to put on a live show. His dance moves are cool and fresh. His singing isn't what I would say the best but he's a true entertainer. There is a lot of controversy around him about the child molestation. In my opinion I believe the family just wanted money, sure Michael was a little creepy but he was a rich dude. Money clouds everyone's minds. That put aside he has some very enjoyable tracks that are classics. Some of my favorite are,
Beat it
They Don't Care About Us
Smooth Criminal
Man In the Mirrior
All in all I think he was great artist and performer. He did a lot for the music industry.
I personally do not think Michael was guilty of what he was accused. It seems that he was just living the childhood he never had. Micheal's father also was known to be abusive toward him and quite harsh. Having bad parents can really have a negative effect on children. I say if he was happy with his Neverland ranch then it was alright. Who wouldn't want their own arcade or a movie theater? I think the allegations against him were done so greedy people could get money for nothing. I think people should read up on the case before you judge him. He still might not be alright in the head, who knows. Michael Jackson will still be remembered for his hits, which made him an 80s icon. I just believe that he had a quirky way of life, and personality that no one could quite comprehend.
-Anthony
Musicians/Bands That I Can't Stand
Ac/Dc- Vocals sounds like someone swallowed some hot coals. The guitar playing is alright but the band is completely ruined by the gut wrenching vocals.
Heart
J Geils Band
Motley Crue- I have a beef with pretty much every hair band, but i just wanted to point out the Crue in particular. Their music is so bland and usually involves the same subject matter. Over dosing on drugs is really something to boast about. I'm glad Grunge helped kill off this genre of music.
Pat Benatar
Maroon 5- Need I say more?
Nickleback
Abba
Barbara Streisand
Bon Jovi
Kid Rock- Why are people in Detroit obsessed with this guy?
Any Disney Channel band
Kiss- With the exception of "Detroit Rock City"
Foreigner- Overplayed shit
Def Leppard- Stay in England
I'll add some extras that are horrible
Kanye West-He's a total asshole
Lil Wayne- I haven't heard one quality rap song from the guy and he can't even freestyle
Queen
Soulja Boy
Drake
Will Smith- He should just stick with acting
lil Romeo (Romeo)- he sucked as a kid on t.v. and still sucks as a rapper
Wiz Kalifha (however you spell his name)
Ac/Dc- Vocals sounds like someone swallowed some hot coals. The guitar playing is alright but the band is completely ruined by the gut wrenching vocals.
Heart
J Geils Band
Motley Crue- I have a beef with pretty much every hair band, but i just wanted to point out the Crue in particular. Their music is so bland and usually involves the same subject matter. Over dosing on drugs is really something to boast about. I'm glad Grunge helped kill off this genre of music.
Pat Benatar
Maroon 5- Need I say more?
Nickleback
Abba
Barbara Streisand
Bon Jovi
Kid Rock- Why are people in Detroit obsessed with this guy?
Any Disney Channel band
Kiss- With the exception of "Detroit Rock City"
Foreigner- Overplayed shit
Def Leppard- Stay in England
I'll add some extras that are horrible
Kanye West-He's a total asshole
Lil Wayne- I haven't heard one quality rap song from the guy and he can't even freestyle
Queen
Soulja Boy
Drake
Will Smith- He should just stick with acting
lil Romeo (Romeo)- he sucked as a kid on t.v. and still sucks as a rapper
Wiz Kalifha (however you spell his name)
What Up with Music These Days?
10-04-14
It's currently 2014 and I pretty much haven't listened to the radio in my own car since like 2008. The only exception is in other peoples cars or just music at a store or something. But really a lot of this stuff they produce today in all genres are horrible. I mostly listen to rap or metal. Let me tell ya rap these days is unbearable to listen to. I don't even know what they are rapping about or what these so called gangstas raping are putting out tracks. The earliest rap i'll listen to is 2005 and back. I don't even know these knew songs and people are singing them and i ask "what's that" and they think i'm an idiot or something. The music is just horrible. The new songs all sound the same nothing original and they add like stupid sounding effects thinking the music will sound better. The beats are wack and the rapers are just the same. I haven't heard a good quality mainstream rap song in a long while. Underground is way better for now.
-Crash
I'm also not interested with the new music trends. Every era has listenable music though if you look deep enough. I am not sure about rap, but rock sure is a shell of its former self. If Maroon 5 can pass off as a rock band then anyone can. Mainstream music is a massive pile of poop. There are some older bands that can still produce decent music, but it doesn't make up for what rock has become. I would even rather listen to 50s rock n roll over the garbage produced in this generation. I guess you have to stick to underground stuff like Crash referred to. As for me I will stay far away from the sissy rock that exists today.
-Anthony
It's currently 2014 and I pretty much haven't listened to the radio in my own car since like 2008. The only exception is in other peoples cars or just music at a store or something. But really a lot of this stuff they produce today in all genres are horrible. I mostly listen to rap or metal. Let me tell ya rap these days is unbearable to listen to. I don't even know what they are rapping about or what these so called gangstas raping are putting out tracks. The earliest rap i'll listen to is 2005 and back. I don't even know these knew songs and people are singing them and i ask "what's that" and they think i'm an idiot or something. The music is just horrible. The new songs all sound the same nothing original and they add like stupid sounding effects thinking the music will sound better. The beats are wack and the rapers are just the same. I haven't heard a good quality mainstream rap song in a long while. Underground is way better for now.
-Crash
I'm also not interested with the new music trends. Every era has listenable music though if you look deep enough. I am not sure about rap, but rock sure is a shell of its former self. If Maroon 5 can pass off as a rock band then anyone can. Mainstream music is a massive pile of poop. There are some older bands that can still produce decent music, but it doesn't make up for what rock has become. I would even rather listen to 50s rock n roll over the garbage produced in this generation. I guess you have to stick to underground stuff like Crash referred to. As for me I will stay far away from the sissy rock that exists today.
-Anthony
4/24/14
Deep Tracks
A deep track or cut usually is a song that is often forgotten. It seems like we are forced to think some bands have only a few hits, due to repetitive, dull radio stations. Deep tracks are worth listening, but might not of been on the music charts or something. Or possibly the performers themselves never considered the song great, such as the Led Zeppelin song "Livin Lovin Maid", but that one was actually a hit. There are many great songs that are seldom heard or recognized, and I have a few to point out.
Electric Light Orchestra had a good amount of hits in the 70s, but there is one song that is often forgotten. Fire on High is a great instrumental track by ELO and most probably don't even know the songs name. This is one of those songs you often hear, but no one ever gives a second thought. I prefer the shortened version of the song that omits a lot of noise and nonsense at the beginning. This is a truly epic track with fast acoustic guitars, synthesizers, and orchestra bits. I tried to track this song down for a while after hearing it on a local radio station, you also might of heard it before on the radio or possibly on television. So check this one out.
Led Zeppelin is a band that you wouldn't think would have deep tracks, but this is untrue. The song "Your Time is Gonna Come" is a great song from their debut album, but is overshadowed by other hits. The song starts with a unique organ intro, then the song gets going when the drums come in with a slam. The solo is quite short, but features a lap steel guitar, not commonly heard in Led Zeppelin songs. This has to be a deep track since it was played once in concert, only in a medley of other songs. Another track to hear is "Gallows Pole" from Led Zeppelin III. I like how this song progresses and the instruments come in one by one. I also recall hearing a banjo in Gallows Pole, which is out of the norm. I guess "Four Sticks" is another deep track, but I never cared for this Zeppelin song. Also on the bands debut album is "Black Mountain Side" which is a cool acoustic solo, which segues into "Communication Breakdown", a much faster song.
I first heard the song "Twentieth Century Fox" by the Doors on satellite radio, this is definitely a more obscure song. This song is good but is overshadowed too by other hits on their debut album. It seems like debut albums often wield some interesting songs, which aren't often heard. A good chunk of the Chicago Transit Authority album are deep tracks, like "Southern California Purples" and "Listen", probably because they were long songs. If you want to hear more about this album check out my review in this section.
I never payed the band Fleetwood Mac much mind, until I heard some of their earlier stuff. I previously only knew the sappier music that led them to the mainstream. Fleetwood Mac originally did have some interesting blues songs, for example "Long Grey Mare", also from a debut album. I much rather listen to this than a song like "Landslide". Creedence Clearwater Revival also has some lesser known songs. I know I mentioned it quite a bit but "Cotton Fields" is a really good track. I am sure there are quite a few more songs worth listening to by the band, look into the Willy and the Poorboys album. Lastly I wanted to mention the song "I'd Love to Change the World" by Ten Years After. This may not be a deep track but I feel like it is worth mentioning. The band itself isn't widely recognized nowadays which is unfortunate, they did play at Woodstock though.
-Anthony
Deep Tracks
A deep track or cut usually is a song that is often forgotten. It seems like we are forced to think some bands have only a few hits, due to repetitive, dull radio stations. Deep tracks are worth listening, but might not of been on the music charts or something. Or possibly the performers themselves never considered the song great, such as the Led Zeppelin song "Livin Lovin Maid", but that one was actually a hit. There are many great songs that are seldom heard or recognized, and I have a few to point out.
Electric Light Orchestra had a good amount of hits in the 70s, but there is one song that is often forgotten. Fire on High is a great instrumental track by ELO and most probably don't even know the songs name. This is one of those songs you often hear, but no one ever gives a second thought. I prefer the shortened version of the song that omits a lot of noise and nonsense at the beginning. This is a truly epic track with fast acoustic guitars, synthesizers, and orchestra bits. I tried to track this song down for a while after hearing it on a local radio station, you also might of heard it before on the radio or possibly on television. So check this one out.
Led Zeppelin is a band that you wouldn't think would have deep tracks, but this is untrue. The song "Your Time is Gonna Come" is a great song from their debut album, but is overshadowed by other hits. The song starts with a unique organ intro, then the song gets going when the drums come in with a slam. The solo is quite short, but features a lap steel guitar, not commonly heard in Led Zeppelin songs. This has to be a deep track since it was played once in concert, only in a medley of other songs. Another track to hear is "Gallows Pole" from Led Zeppelin III. I like how this song progresses and the instruments come in one by one. I also recall hearing a banjo in Gallows Pole, which is out of the norm. I guess "Four Sticks" is another deep track, but I never cared for this Zeppelin song. Also on the bands debut album is "Black Mountain Side" which is a cool acoustic solo, which segues into "Communication Breakdown", a much faster song.
I first heard the song "Twentieth Century Fox" by the Doors on satellite radio, this is definitely a more obscure song. This song is good but is overshadowed too by other hits on their debut album. It seems like debut albums often wield some interesting songs, which aren't often heard. A good chunk of the Chicago Transit Authority album are deep tracks, like "Southern California Purples" and "Listen", probably because they were long songs. If you want to hear more about this album check out my review in this section.
I never payed the band Fleetwood Mac much mind, until I heard some of their earlier stuff. I previously only knew the sappier music that led them to the mainstream. Fleetwood Mac originally did have some interesting blues songs, for example "Long Grey Mare", also from a debut album. I much rather listen to this than a song like "Landslide". Creedence Clearwater Revival also has some lesser known songs. I know I mentioned it quite a bit but "Cotton Fields" is a really good track. I am sure there are quite a few more songs worth listening to by the band, look into the Willy and the Poorboys album. Lastly I wanted to mention the song "I'd Love to Change the World" by Ten Years After. This may not be a deep track but I feel like it is worth mentioning. The band itself isn't widely recognized nowadays which is unfortunate, they did play at Woodstock though.
-Anthony
4/19/14
Metallica 1991
This was the album that is considered the turning point for Metallica, good or bad is up to your opinion. This is simplified, stripped down heavy metal, or rather hard rock. You won't find much of anything on this album that resembles thrash metal. Some may say this is the greatest example of a sell out album, but it honestly isn't bad. Metallica shows they can write ballads such as "The Unforgiven", or "Nothing Else Matters", and it works well. The songs are much shorter on the "black album" and nowhere near as complex as Ride the Lightning or Master of Puppets, which I do prefer. Lars definitely stripped down his sound here, and I never paid much attention to his drumming on this album.
There are some interesting acoustic numbers, but there isn't any songs with sheer speed. The riffs are memorable I do admit. I'm not criticizing, but many songs are perfect for a beginner guitarist. Also you can finally hear the bass on this album! The sound and recording is definitely a step up, but it is unfortunate it wasn't like this on the 80s albums. The vocals by James Hetfield are good here, much better than future albums like St.Anger. There are many memorable tracks such as "Sad But True" or "Wherever I may Roam", but I feel like "Enter Sandman" is a weak spot of the album. It is odd that most people recognize Metallica by this song, but I really am not a fan of it, they really played this one into the ground on rock radio.
I may have to go back and listen because I never heard "Of Wolf and Man" or a few others. Overall the album has its nostalgic appeal. It still doesn't add up to their 80s albums for me. I do say good for Metallica if this brought mainstream attention, but they may of lost some fans. Some songs I can still stand to listen to, and sandman is not one of them.
7.5/10
-Anthony
Metallica 1991
This was the album that is considered the turning point for Metallica, good or bad is up to your opinion. This is simplified, stripped down heavy metal, or rather hard rock. You won't find much of anything on this album that resembles thrash metal. Some may say this is the greatest example of a sell out album, but it honestly isn't bad. Metallica shows they can write ballads such as "The Unforgiven", or "Nothing Else Matters", and it works well. The songs are much shorter on the "black album" and nowhere near as complex as Ride the Lightning or Master of Puppets, which I do prefer. Lars definitely stripped down his sound here, and I never paid much attention to his drumming on this album.
There are some interesting acoustic numbers, but there isn't any songs with sheer speed. The riffs are memorable I do admit. I'm not criticizing, but many songs are perfect for a beginner guitarist. Also you can finally hear the bass on this album! The sound and recording is definitely a step up, but it is unfortunate it wasn't like this on the 80s albums. The vocals by James Hetfield are good here, much better than future albums like St.Anger. There are many memorable tracks such as "Sad But True" or "Wherever I may Roam", but I feel like "Enter Sandman" is a weak spot of the album. It is odd that most people recognize Metallica by this song, but I really am not a fan of it, they really played this one into the ground on rock radio.
I may have to go back and listen because I never heard "Of Wolf and Man" or a few others. Overall the album has its nostalgic appeal. It still doesn't add up to their 80s albums for me. I do say good for Metallica if this brought mainstream attention, but they may of lost some fans. Some songs I can still stand to listen to, and sandman is not one of them.
7.5/10
-Anthony
4/18/14
Pink Floyd-The Piper at the Gates of Dawn
This album is a mixed bag of sounds and weirdness, but I did enjoy some of it. There is no denying the influence of acid on this album, its as psychedelic as it gets. The lyrics are interesting and I actually enjoyed it as a whole more than the Wall. Some parts of the album are a little to far out there for my taste, but a high point is the track "Lucifer Sam", which I misunderstood a lyric as "That fat cats something I can't explain", but really this lyric probably would fit in with the album. I can't remember what track it was, but there were complete nonsense vocals or animal noises, I am not really sure. One song that sort of drags is the instrumental "Interstellar Overdrive", but it is great when the sound swirls back and forth in your headphones, quite trippy. Really though, this song is a lot of guitar noodling and not much else. I was kind of peeved "See Emily Play" wasn't on my version of the album, because this one of their better psychedelic songs.
There was a good amount of thought put into this album, much like Dark Side of the Moon, but some might not understand it. Syd Barrett was a founding member of the band, so I will give him that. Much like Peter Green of Fleetwood Mac, Barrett did eventually have a mental breakdown due to psychedelic drugs, but he left behind an interesting album. There really isn't anything commercial about this album, its probably the most experimental thing Pink Floyd ever did. Most probably would enjoy their later work though, but this album is worth a listen.
8.5/10
-Anthony
Pink Floyd-The Piper at the Gates of Dawn
This album is a mixed bag of sounds and weirdness, but I did enjoy some of it. There is no denying the influence of acid on this album, its as psychedelic as it gets. The lyrics are interesting and I actually enjoyed it as a whole more than the Wall. Some parts of the album are a little to far out there for my taste, but a high point is the track "Lucifer Sam", which I misunderstood a lyric as "That fat cats something I can't explain", but really this lyric probably would fit in with the album. I can't remember what track it was, but there were complete nonsense vocals or animal noises, I am not really sure. One song that sort of drags is the instrumental "Interstellar Overdrive", but it is great when the sound swirls back and forth in your headphones, quite trippy. Really though, this song is a lot of guitar noodling and not much else. I was kind of peeved "See Emily Play" wasn't on my version of the album, because this one of their better psychedelic songs.
There was a good amount of thought put into this album, much like Dark Side of the Moon, but some might not understand it. Syd Barrett was a founding member of the band, so I will give him that. Much like Peter Green of Fleetwood Mac, Barrett did eventually have a mental breakdown due to psychedelic drugs, but he left behind an interesting album. There really isn't anything commercial about this album, its probably the most experimental thing Pink Floyd ever did. Most probably would enjoy their later work though, but this album is worth a listen.
8.5/10
-Anthony
4/17/14
Thoughts on Creedence Clearwater Revival
It is hard to fathom how a group could have so many hits in such a short time frame. Much like the Beatles, Creedence rose to the top in a few short years, but the Beatles were actually around longer. It is unfortunate that these great bands were short lived. The group was led by the singer and songwriter John Fogerty, which was the main driving force of the band. It almost seemed like a one man band because of John Fogerty's contributions, leaving his brother and other members in the shadows. This is what eventually led to the decline of Creedence, the group wanting to contribute more. I personally think the rest of the members should of continued to follow John Fogerty, since he was obviously doing something right. The last album by Creedence Clearwater Revival, called "Mardi Gras" was very poor, because the rest of the members had larger contributions, and provided some insubstantial vocals. So unfortunately this ended the band, but everyone remembers the big hits they had.
Now on to what this bands all about. Creedence Clearwater Revival had its own unique style, in the times of acid rock and more complex music. Creedence had a back to basics rock and roll style, with a southern tinge. This was no country band though, it just had that constant theme of bayous and living down south. Oddly, the band wasn't even from the country but California. It seems like the music of Creedence was a complete 360 of the current music of the time. The band possibly did dabble in drugs, but the music sounds pure and never involves this subject. The band did play at Woodstock, but never wandered into the psychedelic territory of many other bands. A few songs on their debut did have a psychedelic sound, most likely just to get noticed by underground stations. On another note, I enjoy some psychedelic rock, just not all of it.
The debut album wasn't the greatest output of the band, but was a solid debut with covers of "Susie Q" and "I Put a Spell on You". The pinnacle of their success in my opinion was the album "Willy and the Poorboys", which is a great all around rock album. Even the deep cuts are worth listening to, such as "Cotton Fields". Many of the bands hits came from this album such as "Down on the Corner", and the famous anti-war statement "Fortunate Son", which you probably heard in some Vietnam war film. If you are curious about more of their songs check out the greatest hits, which I also reviewed.
It is great the music of Creedence has lived on, even if you first heard them on a Raisin Bran commercial. I always thought that the southern rock of the band was interesting and against the norms of their time. You may want to skip their final album though, since it is quite weak. Other than that, every album has some hit and interesting lesser known songs. So check them out if you get the chance. Some of my personal favorites are "Cotton Fields" and "Lookin Out my Back Door".
-Anthony
Thoughts on Creedence Clearwater Revival
It is hard to fathom how a group could have so many hits in such a short time frame. Much like the Beatles, Creedence rose to the top in a few short years, but the Beatles were actually around longer. It is unfortunate that these great bands were short lived. The group was led by the singer and songwriter John Fogerty, which was the main driving force of the band. It almost seemed like a one man band because of John Fogerty's contributions, leaving his brother and other members in the shadows. This is what eventually led to the decline of Creedence, the group wanting to contribute more. I personally think the rest of the members should of continued to follow John Fogerty, since he was obviously doing something right. The last album by Creedence Clearwater Revival, called "Mardi Gras" was very poor, because the rest of the members had larger contributions, and provided some insubstantial vocals. So unfortunately this ended the band, but everyone remembers the big hits they had.
Now on to what this bands all about. Creedence Clearwater Revival had its own unique style, in the times of acid rock and more complex music. Creedence had a back to basics rock and roll style, with a southern tinge. This was no country band though, it just had that constant theme of bayous and living down south. Oddly, the band wasn't even from the country but California. It seems like the music of Creedence was a complete 360 of the current music of the time. The band possibly did dabble in drugs, but the music sounds pure and never involves this subject. The band did play at Woodstock, but never wandered into the psychedelic territory of many other bands. A few songs on their debut did have a psychedelic sound, most likely just to get noticed by underground stations. On another note, I enjoy some psychedelic rock, just not all of it.
The debut album wasn't the greatest output of the band, but was a solid debut with covers of "Susie Q" and "I Put a Spell on You". The pinnacle of their success in my opinion was the album "Willy and the Poorboys", which is a great all around rock album. Even the deep cuts are worth listening to, such as "Cotton Fields". Many of the bands hits came from this album such as "Down on the Corner", and the famous anti-war statement "Fortunate Son", which you probably heard in some Vietnam war film. If you are curious about more of their songs check out the greatest hits, which I also reviewed.
It is great the music of Creedence has lived on, even if you first heard them on a Raisin Bran commercial. I always thought that the southern rock of the band was interesting and against the norms of their time. You may want to skip their final album though, since it is quite weak. Other than that, every album has some hit and interesting lesser known songs. So check them out if you get the chance. Some of my personal favorites are "Cotton Fields" and "Lookin Out my Back Door".
-Anthony
4/14/14
Best Song Ever?
Rarely does a song come along that is so powerful and well loved as Jedi Rocks. This is one of the most skillfully done compositions that I have ever heard. Whoever produced such a composition is a genius, and should get more recognition. The lyrics almost speak for an entire generation of listeners. The music and video will move you like have never been moved before, just take one listen in the miscellaneous tab if you don't believe me. It is an outrage that a music video with such great choreography never was aired on MTV. When you watch, it is almost like you are transported to another world, and you are actually hearing it live!
The musicians should also get the credit they deserve, especially that harmonica player. Sy Snootles delivers some breathtaking vocals that might even bring you to tears. The other band members may be overshadowed, but they are still good. The song has a great hook like a pop song, but also has that distinctive soulful vibe. There are several different genres displayed such as; blues, funk, jazz, rock and roll, and some classic RnB, all in one song! Why this hit never received a grammy or much airplay is beyond me. Usually the most talented artists are overlooked by critics, how unfortunate. Hopefully Jedi Rocks will someday get the credit it rightfully deserves.
-Anthony
Best Song Ever?
Rarely does a song come along that is so powerful and well loved as Jedi Rocks. This is one of the most skillfully done compositions that I have ever heard. Whoever produced such a composition is a genius, and should get more recognition. The lyrics almost speak for an entire generation of listeners. The music and video will move you like have never been moved before, just take one listen in the miscellaneous tab if you don't believe me. It is an outrage that a music video with such great choreography never was aired on MTV. When you watch, it is almost like you are transported to another world, and you are actually hearing it live!
The musicians should also get the credit they deserve, especially that harmonica player. Sy Snootles delivers some breathtaking vocals that might even bring you to tears. The other band members may be overshadowed, but they are still good. The song has a great hook like a pop song, but also has that distinctive soulful vibe. There are several different genres displayed such as; blues, funk, jazz, rock and roll, and some classic RnB, all in one song! Why this hit never received a grammy or much airplay is beyond me. Usually the most talented artists are overlooked by critics, how unfortunate. Hopefully Jedi Rocks will someday get the credit it rightfully deserves.
-Anthony
4/13/14
Metallica-Ride the Lightning
The first ever Metallica song I heard was Fade to Black, which my brother recommended. Not too long after I heard it, I had to buy the album Ride the Lightning. This was back in middle school, and I had not really heard heavy metal much. I started to change the music I listened to soon after I heard Metallica. Classic rock and heavy metal began to appeal to me, and Metallica and Led Zeppelin were two of my favorites. This was the first I heard of Metallica, and didn't hear their top 40 hits until later on. Soon after, I purchased Kill em All and Master of Puppets, but this album remained my favorite.
Fade to Black is still one of my favorites from the album, with its mix of acoustic and electric guitars, then the epic conclusion. It was always epic to hear the guitar solo come in and then the double bass. Lars actually was tolerable back then! The guitars were fast and heavy, and the solos sounded technical when I first heard them. The title track is also great, which also has a great guitar solo by Kirk. Call of Ktulu was an interesting instrumental of the album, with its ominous intro and ending, with some bass soloing thrown in. Unfortunately, the bass sort of stays in the background with these early albums, except for when Cliff Burton's bass is extremely distorted. On another note, Ktulu seems to fit in with the soundtrack of the game DOOM.
For Whom the Bell Tolls is another memorable track, with the famous bass intro by Cliff Burton. The only track I never payed much attention to was "Escape", even though I heard it all the way through. Also "Trapped Under Ice" seemed like a weak spot of the album. Still, I listened to this album start to finish, practically ever day in middle school. It is a great thrash metal album, and I prefer it over Metallica's more commercial output. This album led me to other metal and rock bands, that I had not previously heard of. Whole Lotta Love was another eye opener for me.
9.5/10
-Anthony
Metallica-Ride the Lightning
The first ever Metallica song I heard was Fade to Black, which my brother recommended. Not too long after I heard it, I had to buy the album Ride the Lightning. This was back in middle school, and I had not really heard heavy metal much. I started to change the music I listened to soon after I heard Metallica. Classic rock and heavy metal began to appeal to me, and Metallica and Led Zeppelin were two of my favorites. This was the first I heard of Metallica, and didn't hear their top 40 hits until later on. Soon after, I purchased Kill em All and Master of Puppets, but this album remained my favorite.
Fade to Black is still one of my favorites from the album, with its mix of acoustic and electric guitars, then the epic conclusion. It was always epic to hear the guitar solo come in and then the double bass. Lars actually was tolerable back then! The guitars were fast and heavy, and the solos sounded technical when I first heard them. The title track is also great, which also has a great guitar solo by Kirk. Call of Ktulu was an interesting instrumental of the album, with its ominous intro and ending, with some bass soloing thrown in. Unfortunately, the bass sort of stays in the background with these early albums, except for when Cliff Burton's bass is extremely distorted. On another note, Ktulu seems to fit in with the soundtrack of the game DOOM.
For Whom the Bell Tolls is another memorable track, with the famous bass intro by Cliff Burton. The only track I never payed much attention to was "Escape", even though I heard it all the way through. Also "Trapped Under Ice" seemed like a weak spot of the album. Still, I listened to this album start to finish, practically ever day in middle school. It is a great thrash metal album, and I prefer it over Metallica's more commercial output. This album led me to other metal and rock bands, that I had not previously heard of. Whole Lotta Love was another eye opener for me.
9.5/10
-Anthony
4/12/14
What ever happened to Smooth Jazz?
Smooth jazz was a popular radio format in the early 90s to the early 2000s. Nowadays it seems like this genre sort of faded away. You used to hear these stations playing often in the daytime, or late at night. I remember smooth jazz from when I was a kid, but I didn't really pay it any mind. Now that I listen to it again, I really do enjoy some of the instrumentals. Smooth jazz might pale in comparison to other types of jazz, and isn't as technical, but it has always seemed like plain feelgood music. Some may ridicule or find it boring, but it is an interesting genre.
Unfortunately, many smooth jazz songs are just rehashed workings of old songs. Anyone could take a song, make it an instrumental, and get it played on a smooth jazz station. I believe this was what caused the downfall of a lot of smooth jazz acts. Some may not realize there are some musicians that have a lot of originality, and a style all their own. One song I especially like was called "Breezin", by George Benson. I do admit, instrumental jazz does appeal to me more, and vocalists kind of ruin it for me. This is one genre that is good without any singing at all, you can just listen to the instruments play.
The guitars have a distinct sound in smooth jazz, probably due to semi-hollow guitars. I always like the guitar playing, and it distinguishes smooth jazz from other genres. Usually the drummers have a good beat, and don't go off the wall like other types of jazz. The bass has a deep fretless tone too, and all of it works together well. Smooth jazz isn't my favorite genre by a longshot, but I have memories of listening as a kid, around the Detroit area. Maybe someday the genre will make a comeback, or they will actually have a blues station in my area.
-Anthony
What ever happened to Smooth Jazz?
Smooth jazz was a popular radio format in the early 90s to the early 2000s. Nowadays it seems like this genre sort of faded away. You used to hear these stations playing often in the daytime, or late at night. I remember smooth jazz from when I was a kid, but I didn't really pay it any mind. Now that I listen to it again, I really do enjoy some of the instrumentals. Smooth jazz might pale in comparison to other types of jazz, and isn't as technical, but it has always seemed like plain feelgood music. Some may ridicule or find it boring, but it is an interesting genre.
Unfortunately, many smooth jazz songs are just rehashed workings of old songs. Anyone could take a song, make it an instrumental, and get it played on a smooth jazz station. I believe this was what caused the downfall of a lot of smooth jazz acts. Some may not realize there are some musicians that have a lot of originality, and a style all their own. One song I especially like was called "Breezin", by George Benson. I do admit, instrumental jazz does appeal to me more, and vocalists kind of ruin it for me. This is one genre that is good without any singing at all, you can just listen to the instruments play.
The guitars have a distinct sound in smooth jazz, probably due to semi-hollow guitars. I always like the guitar playing, and it distinguishes smooth jazz from other genres. Usually the drummers have a good beat, and don't go off the wall like other types of jazz. The bass has a deep fretless tone too, and all of it works together well. Smooth jazz isn't my favorite genre by a longshot, but I have memories of listening as a kid, around the Detroit area. Maybe someday the genre will make a comeback, or they will actually have a blues station in my area.
-Anthony
4/11/14
Metallica-Garage Inc. 1998
This is another one of Metallicas attempts to return to their roots, and it works for the most part. Essentially this album is a bunch of cover versions of songs that influenced them. I really enjoyed the second disk of covers, but the first disk fell flat in my opinion. The second disk contains covers that Metallica recorded on and off in the 80s and early 90s;the first disk are more recent covers. The older covers are more interesting, and the band doesn't sound quite so aged. It is surprising that a collection of b sides beat out the newer covers, but its the truth.
Most of the songs are listenable on the album. I especially enjoyed the covers of "Last Caress", "Breadfan, and "Stone Cold Crazy". This album also contains a cover of the punk song "So What", which is quite disgusting. Other than that, the songs sound fresh, except for the newer covers. Metallica covering Bob Seger or Skynyrd really didn't sit well with me. Much of the first disk feels boring and dragged out. I did enjoy the booklet that came with the CD, which was extensive, filled with some fun facts. I would at least listen to the second disk of b sides, but maybe skip the first disk. Still there are a select few songs that are tolerable on the first side.
Disk 1: 4.5/10 Disk 2: 8.5/10
-Anthony
Metallica-Garage Inc. 1998
This is another one of Metallicas attempts to return to their roots, and it works for the most part. Essentially this album is a bunch of cover versions of songs that influenced them. I really enjoyed the second disk of covers, but the first disk fell flat in my opinion. The second disk contains covers that Metallica recorded on and off in the 80s and early 90s;the first disk are more recent covers. The older covers are more interesting, and the band doesn't sound quite so aged. It is surprising that a collection of b sides beat out the newer covers, but its the truth.
Most of the songs are listenable on the album. I especially enjoyed the covers of "Last Caress", "Breadfan, and "Stone Cold Crazy". This album also contains a cover of the punk song "So What", which is quite disgusting. Other than that, the songs sound fresh, except for the newer covers. Metallica covering Bob Seger or Skynyrd really didn't sit well with me. Much of the first disk feels boring and dragged out. I did enjoy the booklet that came with the CD, which was extensive, filled with some fun facts. I would at least listen to the second disk of b sides, but maybe skip the first disk. Still there are a select few songs that are tolerable on the first side.
Disk 1: 4.5/10 Disk 2: 8.5/10
-Anthony
04-11-2014
St.Anger
For a lot of people this was downfall for the all mighty Metallica. This album sports a new drum sound, which many dislike or can’t get used to. There are no guitar solos and most of it sounds like Metallica is just pounding away in a garage. All these songs on this album sound exactly the same. If you listened to St.Anger or Some Kind Of Monster, you get the same sounding music in all the other songs. There isn’t anything that really catches your ears, and the music isn’t very interesting or dynamic. Lars sounds like he is just banging away on his drums, doing whatever he wants. James is just yelling singing and playing what he feels like, and who knows what happened to Kirk, just scratching away at his guitar.
For me when I first heard this album I wasn’t a fan but I gave it a chance and it sort of grew on me. I have to be in the mood to enjoy it. The songs for me seem to never end. A lot of the time it seems like the songs end but just keeps going, they almost add two songs in one. I got used to the new drum sound and doesn’t bother me as much. This album does contain Purify one of the Metallica songs I dislike greatly throughout their career. This album is tolerable for me and It sounds nice in my car with my subs, it gives off a warm sound. When I am road raging or in a sort of angry mood I will listen to this album.
Even though this album is a jumbled sounding mess I think it’s great for the Metallica’s timeline, letting the world know where they where in their lives as the band. The band pretty much almost broke up at the this time. Jason quit, James went into rehab, Lars was suing Napster and they where falling apart yet they where able to come together and create an album that was true to them.
5/10
crash.
St.Anger
For a lot of people this was downfall for the all mighty Metallica. This album sports a new drum sound, which many dislike or can’t get used to. There are no guitar solos and most of it sounds like Metallica is just pounding away in a garage. All these songs on this album sound exactly the same. If you listened to St.Anger or Some Kind Of Monster, you get the same sounding music in all the other songs. There isn’t anything that really catches your ears, and the music isn’t very interesting or dynamic. Lars sounds like he is just banging away on his drums, doing whatever he wants. James is just yelling singing and playing what he feels like, and who knows what happened to Kirk, just scratching away at his guitar.
For me when I first heard this album I wasn’t a fan but I gave it a chance and it sort of grew on me. I have to be in the mood to enjoy it. The songs for me seem to never end. A lot of the time it seems like the songs end but just keeps going, they almost add two songs in one. I got used to the new drum sound and doesn’t bother me as much. This album does contain Purify one of the Metallica songs I dislike greatly throughout their career. This album is tolerable for me and It sounds nice in my car with my subs, it gives off a warm sound. When I am road raging or in a sort of angry mood I will listen to this album.
Even though this album is a jumbled sounding mess I think it’s great for the Metallica’s timeline, letting the world know where they where in their lives as the band. The band pretty much almost broke up at the this time. Jason quit, James went into rehab, Lars was suing Napster and they where falling apart yet they where able to come together and create an album that was true to them.
5/10
crash.
4/10/14
King Crimson-In the Court of the Crimson King
Honestly, this album is a mixed bag and has its good and bad moments. The album starts with 21st Century Schizoid Man, which I didn't particularly enjoy. The distorted vocals in this song I found quite annoying. People can say this is proto whatever, but it sounded like a mess. I was surprised that some sources call this song heavy metal, which its not in the slightest. The rest of the songs on the album have a slower pace, and Schizoid was the only song sung by Greg Lake I believe. My personal favorite is the title track, but many songs slowly chug along. Some instrumental sections really drag, especially the end of "Moonchild". The song Moonchild drags on a few minutes too long. Most of the song is a bunch of free form randomness, and it isn't that enjoyable.
There aren't many songs on this album, so a few flaws can be a big problem. I did think the cover was cool, and also the theme of the album was interesting. This album is done well for what it is, progressive rock. It is influential, but has its flaws. A lot of the album felt like it was excess, but there were some good songs. This definitely is an album oriented ordeal; these songs are too long for singles or much radio play. You really can't hear these songs on the radio, so you should give this album a listen, especially for the title track. Some people will be turned off by artsy fartsy music though, so this is not for everyone.
7/10
-Anthony
King Crimson-In the Court of the Crimson King
Honestly, this album is a mixed bag and has its good and bad moments. The album starts with 21st Century Schizoid Man, which I didn't particularly enjoy. The distorted vocals in this song I found quite annoying. People can say this is proto whatever, but it sounded like a mess. I was surprised that some sources call this song heavy metal, which its not in the slightest. The rest of the songs on the album have a slower pace, and Schizoid was the only song sung by Greg Lake I believe. My personal favorite is the title track, but many songs slowly chug along. Some instrumental sections really drag, especially the end of "Moonchild". The song Moonchild drags on a few minutes too long. Most of the song is a bunch of free form randomness, and it isn't that enjoyable.
There aren't many songs on this album, so a few flaws can be a big problem. I did think the cover was cool, and also the theme of the album was interesting. This album is done well for what it is, progressive rock. It is influential, but has its flaws. A lot of the album felt like it was excess, but there were some good songs. This definitely is an album oriented ordeal; these songs are too long for singles or much radio play. You really can't hear these songs on the radio, so you should give this album a listen, especially for the title track. Some people will be turned off by artsy fartsy music though, so this is not for everyone.
7/10
-Anthony
4/8/14
Judas Priest-Painkiller 1990
Judas Priest isn't my all time favorite metal band, but they are at their best on here. The music is way heavier and faster than previous work. I guess you could even call this "Speed Metal", because it fits the bill. This was a good change for Judas Priest, after doing some lighter songs in the late 80s. I enjoyed this more than a lot of their 70s and 80s music, though that was also really good. This album was heavier than anything other metal bands were doing at the time, like Metallica or Megadeth. The album really isn't mainstream sounding, but there may be a music video for the title track.
The music may be heavy, but the lyrics don't sound angry to me. I think this album may have a theme, and I thought the cover was pretty cool. I picked this CD up for five dollars, and what a good deal. My personal favorites tracks are, "Painkiller" and "Metal Meltdown". The only forgettable track might be a short instrumental, but otherwise most every song is worth listening to. The guitar riffs are quick, and the drums and double bass pound in most songs. What gives Priest their edge may be the dual guitarists. The best bit on guitar probably is the intro to "Metal Meltdown". The bass is somewhat audible, but that is to be expected in fast metal music. The vocals are understandable, but can get quite screamy and high pitched, but this is metal. I think Halford was a really good singer for this genre of music, unfortunately he doesn't appear on the next album. So listen to this album if you get the chance.
9/10
-Anthony
Judas Priest-Painkiller 1990
Judas Priest isn't my all time favorite metal band, but they are at their best on here. The music is way heavier and faster than previous work. I guess you could even call this "Speed Metal", because it fits the bill. This was a good change for Judas Priest, after doing some lighter songs in the late 80s. I enjoyed this more than a lot of their 70s and 80s music, though that was also really good. This album was heavier than anything other metal bands were doing at the time, like Metallica or Megadeth. The album really isn't mainstream sounding, but there may be a music video for the title track.
The music may be heavy, but the lyrics don't sound angry to me. I think this album may have a theme, and I thought the cover was pretty cool. I picked this CD up for five dollars, and what a good deal. My personal favorites tracks are, "Painkiller" and "Metal Meltdown". The only forgettable track might be a short instrumental, but otherwise most every song is worth listening to. The guitar riffs are quick, and the drums and double bass pound in most songs. What gives Priest their edge may be the dual guitarists. The best bit on guitar probably is the intro to "Metal Meltdown". The bass is somewhat audible, but that is to be expected in fast metal music. The vocals are understandable, but can get quite screamy and high pitched, but this is metal. I think Halford was a really good singer for this genre of music, unfortunately he doesn't appear on the next album. So listen to this album if you get the chance.
9/10
-Anthony
4/6/14
Yes-Classic Yes 1981
I enjoy the band Yes, but I thought this compilation sucked. I really am not sure if this was meant to be a greatest hits or what. Random live versions of songs are throw in, with studio versions too. It doesn't state anywhere on the back cover there are live versions, which annoyed me. I was pissed when I found out Roundabout was live, which is one reason I bought this CD. Roundabout is pretty much Yes at their best, with one of the greatest bass lines, and I got the live version, oh well.
Some other songs are worth a listen though, like "Long Distance Runaround". Also I might give the song the "Fish" another listen, since I heard the bassist uses a wah in his solo. Some songs are a little too long for my taste though, I admit, I did skip through some songs because they dragged on. All the musicians are talented in Yes though, but maybe they show off a bit. They are way better than ELP, so I cannot complain about them being flashy at times. Progressive music can get tiresome sometimes, or it can be pretty epic. There is a little of both on this album. Just get the album Fragile instead of this, at least you get all studio versions.
7/10
-Anthony
Yes-Classic Yes 1981
I enjoy the band Yes, but I thought this compilation sucked. I really am not sure if this was meant to be a greatest hits or what. Random live versions of songs are throw in, with studio versions too. It doesn't state anywhere on the back cover there are live versions, which annoyed me. I was pissed when I found out Roundabout was live, which is one reason I bought this CD. Roundabout is pretty much Yes at their best, with one of the greatest bass lines, and I got the live version, oh well.
Some other songs are worth a listen though, like "Long Distance Runaround". Also I might give the song the "Fish" another listen, since I heard the bassist uses a wah in his solo. Some songs are a little too long for my taste though, I admit, I did skip through some songs because they dragged on. All the musicians are talented in Yes though, but maybe they show off a bit. They are way better than ELP, so I cannot complain about them being flashy at times. Progressive music can get tiresome sometimes, or it can be pretty epic. There is a little of both on this album. Just get the album Fragile instead of this, at least you get all studio versions.
7/10
-Anthony
4/6/14
Procol Harum-Greatest Hits
This one of the forgotten groups of the 1960s, mostly known for the hit "A Whiter Shade of Pale". I think they should get more recognition, because they were a really tight band. They were even more epic live, which is presented on the track "Conquistador". This song has an epic solo, and I especially liked the inclusion of the orchestra. Overall though, it must of been kind of tough to come up with a greatest hits. Procol Harum were popular, but not massively popular. The band sounds like a blend of Psychedelic and Prog, and the music is sort of melancholy.
Also I am not entirely sure what the bands name really means. Some lyrics on the songs also can be confusing. The music though is good, and Robin Trower is featured on some tracks. The quality isn't the greatest on some songs unfortunately. You may find some lesser known songs, that you might actually like on here,which I did. Actually, I hear Procol are even being considered to be in the Rock Hall, which is surprising, and you can see my rant on the Rock Hall in Miscellaneous. So get this album if you want for one song, but I feel like there is a lot more here. Conquistador was my personal favorite.
8/10
-Anthony
Procol Harum-Greatest Hits
This one of the forgotten groups of the 1960s, mostly known for the hit "A Whiter Shade of Pale". I think they should get more recognition, because they were a really tight band. They were even more epic live, which is presented on the track "Conquistador". This song has an epic solo, and I especially liked the inclusion of the orchestra. Overall though, it must of been kind of tough to come up with a greatest hits. Procol Harum were popular, but not massively popular. The band sounds like a blend of Psychedelic and Prog, and the music is sort of melancholy.
Also I am not entirely sure what the bands name really means. Some lyrics on the songs also can be confusing. The music though is good, and Robin Trower is featured on some tracks. The quality isn't the greatest on some songs unfortunately. You may find some lesser known songs, that you might actually like on here,which I did. Actually, I hear Procol are even being considered to be in the Rock Hall, which is surprising, and you can see my rant on the Rock Hall in Miscellaneous. So get this album if you want for one song, but I feel like there is a lot more here. Conquistador was my personal favorite.
8/10
-Anthony
4/3/14
Led Zeppelin-In Through the Out Door 1979
This is the final album by the epic rock group Led Zeppelin, and they really don't go out with a bang. The songs have a more pop feel, and overall is pretty lackluster. It is unfortunate that this was the final album, and drummer John Bonham died not too long after. Also Robert Plant's son died previously, so maybe this triggered a change in their music. I personally felt like their music began to lose it around Presence, except for "Achilles Last Stand". I really don't like anything off this album, but there are a few songs like "All of My Love" that are tolerable, but not good.
The music sounds more pop on this album, and less blues or hard rock like Led Zeppelin are known for. One of the most annoying songs ever probably is "Fool in the Rain", with a stupid whistle being blown randomly in the song. I am not a huge fan of Plant's singing on this album, and many songs drag on quite a bit. The music is great though on the other hand. There still is some heavy guitar playing in some parts, or a nice shuffling drum beat. Overall though, this is not the best thing the band put out, and I feel like this is too mainstream sounding. If you want a good Led Zeppelin album, look at their earlier work.
5/10
-Anthony
Led Zeppelin-In Through the Out Door 1979
This is the final album by the epic rock group Led Zeppelin, and they really don't go out with a bang. The songs have a more pop feel, and overall is pretty lackluster. It is unfortunate that this was the final album, and drummer John Bonham died not too long after. Also Robert Plant's son died previously, so maybe this triggered a change in their music. I personally felt like their music began to lose it around Presence, except for "Achilles Last Stand". I really don't like anything off this album, but there are a few songs like "All of My Love" that are tolerable, but not good.
The music sounds more pop on this album, and less blues or hard rock like Led Zeppelin are known for. One of the most annoying songs ever probably is "Fool in the Rain", with a stupid whistle being blown randomly in the song. I am not a huge fan of Plant's singing on this album, and many songs drag on quite a bit. The music is great though on the other hand. There still is some heavy guitar playing in some parts, or a nice shuffling drum beat. Overall though, this is not the best thing the band put out, and I feel like this is too mainstream sounding. If you want a good Led Zeppelin album, look at their earlier work.
5/10
-Anthony
4-03-13
Lulu
Lulu
This a Metallica and Lou Reed Collaboration I only have a couple things to say
This is not a Metallica album
This album is horrible
The best song is Iced Honey
Check it out
2/10-one point for Iced Honey, one point because James Hetfield is the table.
crash.
Lulu
Lulu
This a Metallica and Lou Reed Collaboration I only have a couple things to say
This is not a Metallica album
This album is horrible
The best song is Iced Honey
Check it out
2/10-one point for Iced Honey, one point because James Hetfield is the table.
crash.
4/2/14
Creedence Clearwater Revival-Chronicle Volume 1
This may be just another greatest hits, but it literally has everything. All of Creedence's hits are here, and there are many. It was shocking how many hits they had in a few short years. Similar to how the Beatles had so many hits, but Creedence was around for a shorter time. I always liked the sound of Creedence Clearwater Revival's southern type rock, but isn't lame like Lynyrd Skynyrd. It is also surprising that all the hits were mostly written by one member, the singer/guitarist John Fogerty.
There are too many good songs here to name off. Some of the best are "Lookin' Out my Backdoor", "Have you ever seen the Rain?", and also "Down on the Corner". The band played well together, and this music was a tad different than other bands. Creedence really wasn't into hippie type songs and lyrics. Another thing that is unique is that Creedence wasn't even from the country, but California. The lyrics anyways sound southern, but not over the top. So this is a good overall collection to own, since it has all the hits you need. Is there really a reason to buy any other greatest hits?, especially with 20 or so songs.
10/10
-Anthony
Creedence Clearwater Revival-Chronicle Volume 1
This may be just another greatest hits, but it literally has everything. All of Creedence's hits are here, and there are many. It was shocking how many hits they had in a few short years. Similar to how the Beatles had so many hits, but Creedence was around for a shorter time. I always liked the sound of Creedence Clearwater Revival's southern type rock, but isn't lame like Lynyrd Skynyrd. It is also surprising that all the hits were mostly written by one member, the singer/guitarist John Fogerty.
There are too many good songs here to name off. Some of the best are "Lookin' Out my Backdoor", "Have you ever seen the Rain?", and also "Down on the Corner". The band played well together, and this music was a tad different than other bands. Creedence really wasn't into hippie type songs and lyrics. Another thing that is unique is that Creedence wasn't even from the country, but California. The lyrics anyways sound southern, but not over the top. So this is a good overall collection to own, since it has all the hits you need. Is there really a reason to buy any other greatest hits?, especially with 20 or so songs.
10/10
-Anthony
3/30/14
Stevie Ray Vaughn-Texas Flood 1983
Texas Flood is the debut that catapulted Stevie Ray Vaughn to stardom. The whole album shows off his musicianship, and guitar-playing abilities. Stevie Ray is now considered one of the guitar greats, and I believe surpasses Jimmy Page even. It is surprising it took so long for the world to recognize such a great guitarist. It is unfortunate that his life ended, he could of made a lot more memorable music.
This album doesn't vary in style much, you will mostly find straight up blues. Texas flood is full of great solos and great tone all around. Stevie may do a lot blues covers in his career, but at least he gives credit to the original songwriters, unlike Page, but Led Zeppelin is still one of my favorites. It does seem like Stevie shows off a bit, but he has a lot to show. It is obvious the other members of the band are overshadowed, even if they are skilled. Long solos and instrumentals tend to get boring quick, but Stevie makes them interesting.
This one is definitely worth a listen, especially if you are a fan of blues, or guitar aficionados. The title track is great and so is "Pride and Joy". I also enjoyed the instrumental "Lenny". You couldn't find a more talented guitarist in the 1980s than Stevie Ray Vaughn. Also check out some of his other albums like The Sky is Crying, which is even more flashy. Its surprising how much mainstream attention Stevie got, especially in the 1980s where bands like Poison were popular.
9/10
-Anthony
Stevie Ray Vaughn-Texas Flood 1983
Texas Flood is the debut that catapulted Stevie Ray Vaughn to stardom. The whole album shows off his musicianship, and guitar-playing abilities. Stevie Ray is now considered one of the guitar greats, and I believe surpasses Jimmy Page even. It is surprising it took so long for the world to recognize such a great guitarist. It is unfortunate that his life ended, he could of made a lot more memorable music.
This album doesn't vary in style much, you will mostly find straight up blues. Texas flood is full of great solos and great tone all around. Stevie may do a lot blues covers in his career, but at least he gives credit to the original songwriters, unlike Page, but Led Zeppelin is still one of my favorites. It does seem like Stevie shows off a bit, but he has a lot to show. It is obvious the other members of the band are overshadowed, even if they are skilled. Long solos and instrumentals tend to get boring quick, but Stevie makes them interesting.
This one is definitely worth a listen, especially if you are a fan of blues, or guitar aficionados. The title track is great and so is "Pride and Joy". I also enjoyed the instrumental "Lenny". You couldn't find a more talented guitarist in the 1980s than Stevie Ray Vaughn. Also check out some of his other albums like The Sky is Crying, which is even more flashy. Its surprising how much mainstream attention Stevie got, especially in the 1980s where bands like Poison were popular.
9/10
-Anthony
3/30/14
Boston-Boston 1976
One of the most overplayed classic rock bands started with this debut, which spawned pretty much all their hits. Having so many hits on a debut album is something to boast about. There may be many hits, like "More than a Feeling", "Smokin'", and "Foreplay/Long Time", but nothing has much substance. I used to like this band a lot, but they are a very cliched 70s rock band. The whole album feels over produced, and seems like they focused to much on perfection. Despite this, the album still is enjoyable to listen to sometimes.
There are some interesting riffs here, but the guitar sounds the same on every song to me. The keyboards also are over the top, but it is to be expected on a 70s album. After this album Boston was labeled "Arena Rock", and I believe this fits them well. The musicianship is great, but the lyrics can be quite boring. A plus to this album goes to the drummer, whoever he is. Overall the songs play out well and are a good listen, mostly if you are driving around town. This band is cliche, but I still enjoy this album. There really is no reason to play this album though, since you can hear Boston often on classic rock stations. My favorite song of the album probably is "Foreplay/Long Time", which has a cool intro and a mix of electric and acoustic jamming.
7.5/10
-Anthony
Boston-Boston 1976
One of the most overplayed classic rock bands started with this debut, which spawned pretty much all their hits. Having so many hits on a debut album is something to boast about. There may be many hits, like "More than a Feeling", "Smokin'", and "Foreplay/Long Time", but nothing has much substance. I used to like this band a lot, but they are a very cliched 70s rock band. The whole album feels over produced, and seems like they focused to much on perfection. Despite this, the album still is enjoyable to listen to sometimes.
There are some interesting riffs here, but the guitar sounds the same on every song to me. The keyboards also are over the top, but it is to be expected on a 70s album. After this album Boston was labeled "Arena Rock", and I believe this fits them well. The musicianship is great, but the lyrics can be quite boring. A plus to this album goes to the drummer, whoever he is. Overall the songs play out well and are a good listen, mostly if you are driving around town. This band is cliche, but I still enjoy this album. There really is no reason to play this album though, since you can hear Boston often on classic rock stations. My favorite song of the album probably is "Foreplay/Long Time", which has a cool intro and a mix of electric and acoustic jamming.
7.5/10
-Anthony
3/30/14
Alice in Chains-Dirt 1992
This was Alice in Chains' breakthrough album, similar to Nirvana's Nevermind album a few years prior. Alice in Chains though are nothing like Nirvana. This album is way heavier than anything Soundgarden or Nirvana ever released. A common theme of this album definitely is drug abuse, and almost every song touches on the subject. There is more themes here though, and Alice in Chains have a mix of styles too on this album.
Them Bones is a short song of the album, but it packs a punch. Some other songs to listen to are; "Angry Chair" and "Would". I also liked the blend of acoustic and electric, in the song "Down in a Hole". There are a lot of hits here, but i am not a fan of a few tracks."Sickman" really didn't appeal to me. A lot of the lyrics are very self explanatory, like in "Junkhead". It is obvious that drugs had an influence on this album, but it still came out great.
Unfortunately this was the last album to feature bassist Mike Starr, being replace by Mike Inez. Also I don't think future material sounded as good as the Dirt and Facelift albums. Alice in Chains would last only a few more years with the vocalist Layne Staley, until reforming in recent years, but nothing could add up to the original line up.
On another note, the music on this album is really great. Cantrell's guitar playing is way more technical than Facelift. Overall I think Alice in Chains were more technical than Nirvana, and had better musicianship. It is just my person opinion that Alice in Chains was the better grunge band. This album goes into the metal territory sometimes, but it was labeled grunge anyways. I would say this album should be considered Alternative Rock. It is worth a listen.
8.5/10
-Anthony
Alice in Chains-Dirt 1992
This was Alice in Chains' breakthrough album, similar to Nirvana's Nevermind album a few years prior. Alice in Chains though are nothing like Nirvana. This album is way heavier than anything Soundgarden or Nirvana ever released. A common theme of this album definitely is drug abuse, and almost every song touches on the subject. There is more themes here though, and Alice in Chains have a mix of styles too on this album.
Them Bones is a short song of the album, but it packs a punch. Some other songs to listen to are; "Angry Chair" and "Would". I also liked the blend of acoustic and electric, in the song "Down in a Hole". There are a lot of hits here, but i am not a fan of a few tracks."Sickman" really didn't appeal to me. A lot of the lyrics are very self explanatory, like in "Junkhead". It is obvious that drugs had an influence on this album, but it still came out great.
Unfortunately this was the last album to feature bassist Mike Starr, being replace by Mike Inez. Also I don't think future material sounded as good as the Dirt and Facelift albums. Alice in Chains would last only a few more years with the vocalist Layne Staley, until reforming in recent years, but nothing could add up to the original line up.
On another note, the music on this album is really great. Cantrell's guitar playing is way more technical than Facelift. Overall I think Alice in Chains were more technical than Nirvana, and had better musicianship. It is just my person opinion that Alice in Chains was the better grunge band. This album goes into the metal territory sometimes, but it was labeled grunge anyways. I would say this album should be considered Alternative Rock. It is worth a listen.
8.5/10
-Anthony
3/29/14
Hair Metal
I believe one of the worst genres of music created was hair metal. Hair bands of the 1980s were pretty cookie cutter, and each band had the same image it seemed. This is probably one of the most cliched genres of music, and is quite hard to even consider "metal". I can handle some bands such as Skid Row, but Motley Crue is pure diarrhea. Most hair bands are burnt out thankfully nowadays.
The lyrics are just inane and not worth interpreting. Most lyrics of these bands are just innuendos, that are not the slightest bit clever. Hair bands seemed to draw up a false image, acting like they are macho while wearing makeup and drag. You can just laugh at the covers of some of these albums, because people thought dudes dressed as women were cool back then. The music is also bland, and just trudges along. The solos and guitars all sound the same, and don't really sound like much thought was put into songwriting. As the years went by, it seems like drugs have for sure caught up with members of these bands. Bands like Motley Crue seem like a parody of themselves, and were only relevant in the 80s, and sort of faded away when Grunge emerged.
I really wish these bands never got mainstream attention. Other bands, with more talent stayed underground. Thrash metal is ten times better than any mainstream metal song released in the 80s. Thankfully alternative music pushed hair bands out the door. You probably can find some bands playing at state fairs now. Hopefully hair bands don't make a big comeback. I would much rather prefer if Disco returned than Glam. I can't really say these bands are Glam though, because there were some okay Glam bands in the 1970s. New genres of music come and go constantly, hopefully something new and worthwhile comes along, and hair bands can stay in the past.
-Anthony
Hair Metal
I believe one of the worst genres of music created was hair metal. Hair bands of the 1980s were pretty cookie cutter, and each band had the same image it seemed. This is probably one of the most cliched genres of music, and is quite hard to even consider "metal". I can handle some bands such as Skid Row, but Motley Crue is pure diarrhea. Most hair bands are burnt out thankfully nowadays.
The lyrics are just inane and not worth interpreting. Most lyrics of these bands are just innuendos, that are not the slightest bit clever. Hair bands seemed to draw up a false image, acting like they are macho while wearing makeup and drag. You can just laugh at the covers of some of these albums, because people thought dudes dressed as women were cool back then. The music is also bland, and just trudges along. The solos and guitars all sound the same, and don't really sound like much thought was put into songwriting. As the years went by, it seems like drugs have for sure caught up with members of these bands. Bands like Motley Crue seem like a parody of themselves, and were only relevant in the 80s, and sort of faded away when Grunge emerged.
I really wish these bands never got mainstream attention. Other bands, with more talent stayed underground. Thrash metal is ten times better than any mainstream metal song released in the 80s. Thankfully alternative music pushed hair bands out the door. You probably can find some bands playing at state fairs now. Hopefully hair bands don't make a big comeback. I would much rather prefer if Disco returned than Glam. I can't really say these bands are Glam though, because there were some okay Glam bands in the 1970s. New genres of music come and go constantly, hopefully something new and worthwhile comes along, and hair bands can stay in the past.
-Anthony
Sabbath covering an Elvis song live in concert.
3/27/14
Soundgarden-Badmotorfinger 1991
This album is unique in that it didn't sound as mainstream as "Superunknown". The songs are heavy and grinding, and the guitars have odd tunings. It seems like Soundgarden really experimented with this album. I always preferred the sound of Soundgarden and Alice in Chains over other grunge bands, because they sound more on the metal side. The best songs on the album are obviously "Rusty Cage", "Outshined" and "Room a Thousand Years Wide", whatever that means. I never really paid much attention to the lyrics, but the music sounds great. There are some odd guitar sounds, that I'm not even sure how they pulled off. I believe the intro to "Rusty Cage" was down tuned, and also used a half cocked wah pedal. The vocals are really good, but can get quite screamy at some parts. This whole album though is worth a listen, especially if you a fan of grunge.
8.5/10
-Anthony
Soundgarden-Badmotorfinger 1991
This album is unique in that it didn't sound as mainstream as "Superunknown". The songs are heavy and grinding, and the guitars have odd tunings. It seems like Soundgarden really experimented with this album. I always preferred the sound of Soundgarden and Alice in Chains over other grunge bands, because they sound more on the metal side. The best songs on the album are obviously "Rusty Cage", "Outshined" and "Room a Thousand Years Wide", whatever that means. I never really paid much attention to the lyrics, but the music sounds great. There are some odd guitar sounds, that I'm not even sure how they pulled off. I believe the intro to "Rusty Cage" was down tuned, and also used a half cocked wah pedal. The vocals are really good, but can get quite screamy at some parts. This whole album though is worth a listen, especially if you a fan of grunge.
8.5/10
-Anthony
3/26/14
The Beatles-Magical Mystery Tour 1967
It almost seems like the Beatles are an untouchable band, and cannot be criticized. The truth is that this is not their strongest album. Really this album is just a soundtrack anyways, but it still has some good tracks. Strawberry Fields Forever is actually one of my favorite Beatles songs. There are a few throw away songs on here, like "Flying" and possibly "Your Mother Should Know". The rest of the songs are definitely worth a listen. This is pretty much the last of the Beatles psychedelic music, and their self titled album is more general hard rock. The Beatles might of strayed away from songs like this, after the panning of the Magical Mystery Tour film. To be honest, a lot of the lyrics on this album are inane, such as in the song "I am the Walrus". I still like these songs, despite the lyrics being nonsensical. There are some stand out songs, but this album feels like excess at some parts.
7.5/10
The Beatles-Magical Mystery Tour 1967
It almost seems like the Beatles are an untouchable band, and cannot be criticized. The truth is that this is not their strongest album. Really this album is just a soundtrack anyways, but it still has some good tracks. Strawberry Fields Forever is actually one of my favorite Beatles songs. There are a few throw away songs on here, like "Flying" and possibly "Your Mother Should Know". The rest of the songs are definitely worth a listen. This is pretty much the last of the Beatles psychedelic music, and their self titled album is more general hard rock. The Beatles might of strayed away from songs like this, after the panning of the Magical Mystery Tour film. To be honest, a lot of the lyrics on this album are inane, such as in the song "I am the Walrus". I still like these songs, despite the lyrics being nonsensical. There are some stand out songs, but this album feels like excess at some parts.
7.5/10
3/26/14
Pink Floyd-Dark Side of the Moon 1973
There are a lot of great albums out there, and some that are just over hyped. This might be one of those albums, but there is still a lot of great stuff here. Not a fan though of long keyboard solos, also maybe this album just tries to be too "deep". The background singers screaming also sort of annoyed me. Now on to the good stuff about the album. There are some great songs that are classic Pink Floyd; such as "Brain Damage", my personal favorite, "Breathe", and also "Time". For some reason though I never liked the song "Money", but the bass intro is quite classic. This album is definitely a contrast from their early psychedelic material, but they were moving in a good direction. The music on this album has an overall spacey sound, and the synthesized bits were ahead of the time. Overall this influential album is worth a listen, even though this is not one of my personal favorites. 9/10
-Anthony
Pink Floyd-Dark Side of the Moon 1973
There are a lot of great albums out there, and some that are just over hyped. This might be one of those albums, but there is still a lot of great stuff here. Not a fan though of long keyboard solos, also maybe this album just tries to be too "deep". The background singers screaming also sort of annoyed me. Now on to the good stuff about the album. There are some great songs that are classic Pink Floyd; such as "Brain Damage", my personal favorite, "Breathe", and also "Time". For some reason though I never liked the song "Money", but the bass intro is quite classic. This album is definitely a contrast from their early psychedelic material, but they were moving in a good direction. The music on this album has an overall spacey sound, and the synthesized bits were ahead of the time. Overall this influential album is worth a listen, even though this is not one of my personal favorites. 9/10
-Anthony
3/25/14
Black Sabbath-Black Sabbath 1970
The debut of Black Sabbath definitely is worth a listen, despite Paranoid being more popular. There are only a few songs on here, but they are also very long. Just because the songs drag out a bit doesn't make it a bad album. There are some heavy songs such as "Black Sabbath", which is probably the bands darkest song, and "NIB". Something that is unique is that some songs actually have a blues type sound, such as the harmonica intro in "The Wizard", played by Ozzy. This album isn't as extreme as Paranoid, but has a lot more "Satanic themes. The whole Satan thing is just for show though, why anyone took this seriously is beyond me. The song "NIB" opens with a extended bass solo, and also utilizes wah and distortion. The long solos and everything make this album worth a listen. It may not add up to the Paranoid album, but there still is a lot of good material. I give it a 8.5/10.
-Anthony
Black Sabbath-Black Sabbath 1970
The debut of Black Sabbath definitely is worth a listen, despite Paranoid being more popular. There are only a few songs on here, but they are also very long. Just because the songs drag out a bit doesn't make it a bad album. There are some heavy songs such as "Black Sabbath", which is probably the bands darkest song, and "NIB". Something that is unique is that some songs actually have a blues type sound, such as the harmonica intro in "The Wizard", played by Ozzy. This album isn't as extreme as Paranoid, but has a lot more "Satanic themes. The whole Satan thing is just for show though, why anyone took this seriously is beyond me. The song "NIB" opens with a extended bass solo, and also utilizes wah and distortion. The long solos and everything make this album worth a listen. It may not add up to the Paranoid album, but there still is a lot of good material. I give it a 8.5/10.
-Anthony
3/23/14
Led Zeppelin-Led Zeppelin 1969
Here it is, the epic debut of one of the biggest rock bands ever. What better album cover for Led Zeppelin, than a burning zeppelin. This is one of Zeppelin's more interesting album covers, and the music is a little different than what they released later on. The music here is not just rehashed versions of old blues songs, but better reworked versions. Some say Zeppelin plagiarized, but I disagree and say they covered old songs or just altered them. Eventually they did end up giving credit to original songwriters.
This is not just another Cream, but a way heavier band altogether. The songs have the heavy guitar playing of Page, the pounding drums of Bonham, and the wailing vocals of Robert Plant. Also every one forgets John Paul Jones, but he does a lot here such as some bass breaks and intros. This was one heavy album back then, but unfortunately rock critics of the day originally gave this album horrible reviews. Rock critics of the day seemed to compare everything to Cream, and seemed into only hippie type bands. You wont find any flower power type music, but instead a precursor to heavy metal.
Some great songs to listen to are "Dazed and Confused", "Good Times Bad Times", and "How Many More Times". Some of the best parts are John Bonham's fast drumming on "Good Times Bad Times", and the famous bass intro to "Dazed and Confused". You will find a lot here, but some songs may drag at times. I prefer their second album more, but this ones a hit. I give it 9.5/10.
-Anthony
Led Zeppelin-Led Zeppelin 1969
Here it is, the epic debut of one of the biggest rock bands ever. What better album cover for Led Zeppelin, than a burning zeppelin. This is one of Zeppelin's more interesting album covers, and the music is a little different than what they released later on. The music here is not just rehashed versions of old blues songs, but better reworked versions. Some say Zeppelin plagiarized, but I disagree and say they covered old songs or just altered them. Eventually they did end up giving credit to original songwriters.
This is not just another Cream, but a way heavier band altogether. The songs have the heavy guitar playing of Page, the pounding drums of Bonham, and the wailing vocals of Robert Plant. Also every one forgets John Paul Jones, but he does a lot here such as some bass breaks and intros. This was one heavy album back then, but unfortunately rock critics of the day originally gave this album horrible reviews. Rock critics of the day seemed to compare everything to Cream, and seemed into only hippie type bands. You wont find any flower power type music, but instead a precursor to heavy metal.
Some great songs to listen to are "Dazed and Confused", "Good Times Bad Times", and "How Many More Times". Some of the best parts are John Bonham's fast drumming on "Good Times Bad Times", and the famous bass intro to "Dazed and Confused". You will find a lot here, but some songs may drag at times. I prefer their second album more, but this ones a hit. I give it 9.5/10.
-Anthony
3/22/14
Bon Jovi: Slippery When Wet
Well you know whats in store since this is just another 80s hair band. The music is alright, but I am not really a big fan of Bon Jovi's vocals. Many throw away songs, but there are some hits like "Livin' on a Prayer", which had a cool intro, and also "Wanted Dead or Alive". I really can't complain though, this is one of the albums that got me into rock music. I think I have gotten past this type of music though, this is one of those albums you may buy for a song or two. I personally always thought hair bands were dumb and over the top, but Jovi I don't dislike as much as say Motley Crue. I'll give this one a 6.5/10.
Bon Jovi: Slippery When Wet
Well you know whats in store since this is just another 80s hair band. The music is alright, but I am not really a big fan of Bon Jovi's vocals. Many throw away songs, but there are some hits like "Livin' on a Prayer", which had a cool intro, and also "Wanted Dead or Alive". I really can't complain though, this is one of the albums that got me into rock music. I think I have gotten past this type of music though, this is one of those albums you may buy for a song or two. I personally always thought hair bands were dumb and over the top, but Jovi I don't dislike as much as say Motley Crue. I'll give this one a 6.5/10.
3/22/14
The Doors: The Future Starts Here
Here is another one of those greatest hits collections that seems to be released every year. The good thing is you don't need another greatest hits, because this one has got it all. All the big hits are here from The Doors debut album up to "La Woman". All of these songs were big hits and there really isn't any throw away songs. Luckily that horrible Wasp song doesn't appear on this one, or whatever its called. There are a few longer songs that drag on, such as "The End" or "The Unknown Soldier" but I still enjoyed them.
This is a pretty extensive collection of songs, and I really don't see a reason to buy another Doors album, unless you enjoy some lesser known song. There are plenty of keyboards and over the top vocals on this album to keep any Doors fan occupied. To be honest though, some of these songs get really old after a while like many bands. I mean how many times do you think they played "Light my Fire", or "Roadhouse Blues" on the radio since the 1960s? Overall this is a good album to own, there is everything here from psychedelic music to hard rock. I give this one a 9.5/10. On a side note one of my favorites from the greatest hits is "Peace Frog".
The Doors: The Future Starts Here
Here is another one of those greatest hits collections that seems to be released every year. The good thing is you don't need another greatest hits, because this one has got it all. All the big hits are here from The Doors debut album up to "La Woman". All of these songs were big hits and there really isn't any throw away songs. Luckily that horrible Wasp song doesn't appear on this one, or whatever its called. There are a few longer songs that drag on, such as "The End" or "The Unknown Soldier" but I still enjoyed them.
This is a pretty extensive collection of songs, and I really don't see a reason to buy another Doors album, unless you enjoy some lesser known song. There are plenty of keyboards and over the top vocals on this album to keep any Doors fan occupied. To be honest though, some of these songs get really old after a while like many bands. I mean how many times do you think they played "Light my Fire", or "Roadhouse Blues" on the radio since the 1960s? Overall this is a good album to own, there is everything here from psychedelic music to hard rock. I give this one a 9.5/10. On a side note one of my favorites from the greatest hits is "Peace Frog".
3/21/14
Journey-Look into the Future 1976
I honesty liked the singer Gregg Rolie, but not so much on this album. Its just overall boring and bland. This is one of those albums that people forget about, and are sort of lost with time. If you are even in to Journey I am sure you listen to the 80s material anyways. There really isn't anything memorable here, or worth mentioning. Maybe I will give it another listen, but there is no sugar coating a turd. I give this one a 6/10.
-Anthony
Journey-Look into the Future 1976
I honesty liked the singer Gregg Rolie, but not so much on this album. Its just overall boring and bland. This is one of those albums that people forget about, and are sort of lost with time. If you are even in to Journey I am sure you listen to the 80s material anyways. There really isn't anything memorable here, or worth mentioning. Maybe I will give it another listen, but there is no sugar coating a turd. I give this one a 6/10.
-Anthony
3/21/14
Cowboys From Hell-Pantera
This album was Pantera's big breakthrough back in 1990. Before the 90s Pantera was a lesser known cheesy 80s metal band. Then when they changed their style they finally made it big. Some standout songs of this album are; "Cowboys From Hell","Cemetery Gates", and "The Art of Shredding". Cemetery Gates is probably my favorite song from the album, which is one of the longer songs of the album. The vocals are really good on this song, also I like how it alternates between acoustic and electric guitar. Cemetery Gates has some of the highest vocals on any Pantera song, similar to Judas Priest.
There are a few forgettable songs though on the album. I didn't really like the singing style on certain songs, but it is still a well thought out album. This album is considered Pantera's debut, despite having a lot of 80s material. Supposedly the band wanted to let go what they released in the 1980s, since they never were re-released anyway. This is a pretty good heavy metal album so check it out. The songs are fast and epic, the only slower type song being "Cemetery Gates". This album is unique and didn't really sound like other bands of the time. This is Pantera's best album for me, but other people may argue against that. I give it a 7/10 overall.
Cowboys From Hell-Pantera
This album was Pantera's big breakthrough back in 1990. Before the 90s Pantera was a lesser known cheesy 80s metal band. Then when they changed their style they finally made it big. Some standout songs of this album are; "Cowboys From Hell","Cemetery Gates", and "The Art of Shredding". Cemetery Gates is probably my favorite song from the album, which is one of the longer songs of the album. The vocals are really good on this song, also I like how it alternates between acoustic and electric guitar. Cemetery Gates has some of the highest vocals on any Pantera song, similar to Judas Priest.
There are a few forgettable songs though on the album. I didn't really like the singing style on certain songs, but it is still a well thought out album. This album is considered Pantera's debut, despite having a lot of 80s material. Supposedly the band wanted to let go what they released in the 1980s, since they never were re-released anyway. This is a pretty good heavy metal album so check it out. The songs are fast and epic, the only slower type song being "Cemetery Gates". This album is unique and didn't really sound like other bands of the time. This is Pantera's best album for me, but other people may argue against that. I give it a 7/10 overall.
3/20/14
In-A-Gadda-Da-Vida-Iron Butterfly
This album is very interesting to listen to, the whole thing is mostly a jam. When the album was released in 1968 the title track took up an entire side! The title track is obviously the most memorable song, and Iron Butterfly are thought to be a one hit wonder. This may be true but the other few songs on the album are pretty cool. The title track though is what most people are familiar with, which clocks in a little over 17 minutes.
The song In-A-Gadda-Da-Vida has a pretty memorable opening riff, also the drum solo is key to the track. The drum solo has a unique tribal sound to it. The organ solo in the middle of the song also is interesting, and very ominous sounding. Overall though this album is Psychedelic excess to many people nowadays. The riff though in this song is so heavy for the time, it could of been considered heavy metal. The title is also strange, which is basically a drunken way of saying in the garden of Eden. Supposedly the singer was drunk or drugged up when he said the title, but they kept it anyway.
The other songs on the album are forgettable, though I enjoyed "Flowers and Beads". A lot of the songs though are a little too hippie to me. I'm sure you can find this album for cheap somewhere. If you happen to come across it, get it for the title track at least. The title track obviously gets little airplay since it is 17 minutes long, but the shorter single version isn't heard often either. This album may be kind of forgotten nowadays, but I actually just bought it from a local Meijer. I give this album 8/10, mostly for one song.
-Anthony
In-A-Gadda-Da-Vida-Iron Butterfly
This album is very interesting to listen to, the whole thing is mostly a jam. When the album was released in 1968 the title track took up an entire side! The title track is obviously the most memorable song, and Iron Butterfly are thought to be a one hit wonder. This may be true but the other few songs on the album are pretty cool. The title track though is what most people are familiar with, which clocks in a little over 17 minutes.
The song In-A-Gadda-Da-Vida has a pretty memorable opening riff, also the drum solo is key to the track. The drum solo has a unique tribal sound to it. The organ solo in the middle of the song also is interesting, and very ominous sounding. Overall though this album is Psychedelic excess to many people nowadays. The riff though in this song is so heavy for the time, it could of been considered heavy metal. The title is also strange, which is basically a drunken way of saying in the garden of Eden. Supposedly the singer was drunk or drugged up when he said the title, but they kept it anyway.
The other songs on the album are forgettable, though I enjoyed "Flowers and Beads". A lot of the songs though are a little too hippie to me. I'm sure you can find this album for cheap somewhere. If you happen to come across it, get it for the title track at least. The title track obviously gets little airplay since it is 17 minutes long, but the shorter single version isn't heard often either. This album may be kind of forgotten nowadays, but I actually just bought it from a local Meijer. I give this album 8/10, mostly for one song.
-Anthony
3/19/14
Facelift-Alice in Chains
Alice in Chains released their debut "Facelift" in 1990, and remains one of their best albums. I like to go against the grain, so I am going to admit I like this album more than "Dirt". The songs on this album are heavy, but the songs aren't as dark as on Dirt. There are a blend of styles on this album, such as funk and heavy metal, but Alice in Chains were labeled Grunge anyway. To me Alice in Chains is just a really good band, despite the category they fall under.
Facelift has many popular songs, such as "Man in the Box", "Bleed the Freak", and "Sea of Sorrow". This was around the time that AIC started to get a lot of airplay on MTV. There are also some songs on this album that are often forgotten about. One of the most unique songs is "I Know Something Bout' You", which has a funk style and a cool bass line. Jerry Cantrell's guitar playing is good, but not as good as what is displayed on the Dirt album. The down-tuned guitars also add to this album to make it even heavier.
This album only displayed some of what Alice in Chains would release later on. Overall this album is worth a listen and I give it an 8/10. Also check out the VHS "Live Facelift", which you may be able to find on eBay. My brother kept this tape and now I'm not sure where it is, but this concert by Alice in Chains is worth a watch. VHS is outdated obviously but the concert has not yet been released on DVD or Bluray. Its a pretty good live show, the only down side is that it is brief and filmed in black and white.
-Anthony
Facelift-Alice in Chains
Alice in Chains released their debut "Facelift" in 1990, and remains one of their best albums. I like to go against the grain, so I am going to admit I like this album more than "Dirt". The songs on this album are heavy, but the songs aren't as dark as on Dirt. There are a blend of styles on this album, such as funk and heavy metal, but Alice in Chains were labeled Grunge anyway. To me Alice in Chains is just a really good band, despite the category they fall under.
Facelift has many popular songs, such as "Man in the Box", "Bleed the Freak", and "Sea of Sorrow". This was around the time that AIC started to get a lot of airplay on MTV. There are also some songs on this album that are often forgotten about. One of the most unique songs is "I Know Something Bout' You", which has a funk style and a cool bass line. Jerry Cantrell's guitar playing is good, but not as good as what is displayed on the Dirt album. The down-tuned guitars also add to this album to make it even heavier.
This album only displayed some of what Alice in Chains would release later on. Overall this album is worth a listen and I give it an 8/10. Also check out the VHS "Live Facelift", which you may be able to find on eBay. My brother kept this tape and now I'm not sure where it is, but this concert by Alice in Chains is worth a watch. VHS is outdated obviously but the concert has not yet been released on DVD or Bluray. Its a pretty good live show, the only down side is that it is brief and filmed in black and white.
-Anthony
3/19/14
The Chicago Transit Authority
The Chicago Transit Authority was the debut of the band Chicago released in 1969. It wasn't until the actual transit authority threatened to sue that the name was shortened to Chicago. The sound of this album is a mix of big band and rock. The guitar work on this album is great though, despite being a band with horns. Chicago had a unique sound of horns and electric instruments, similar to some early 60s pop bands. Chicago though wasn't as radio friendly with this album, which had really long songs and solos.
My personal favorite songs of this album are "I'm a man", which has a cool bass intro, "Southern California Purples", and "Listen". Many songs of this album are unlike the Chicago later on. There are no sappy love songs on this album. Still though this album is not for everyone. Some of the songs are really drawn out and repetitive. Also there are some unique but forgettable tracks like "Free Form Guitar", which is basically just 7 minutes of guitar feedback. The guitar may be sloppy at times, but the tone on this album is very similar to Jimi Hendrix, which was an influence.
Another standout part of this album is the bass lines. Peter Cetera was a really good bass player, but this fact is often forgotten. This album sounds like it was well put together, but possibly the band had a bit too much freedom. The drum solo on "I'm a man" is also a cool part of this album, but drags on a bit. There are some songs you can hear on the radio from this album, like "Beginnings", but overall this album gets barely any airplay. This is unfortunate because this is a really good rock album, many people though could be turned away because of the horns on some songs.
I feel like this album generally deserves more recognition. There is a cool blend of jazz and rock on this album, which I enjoyed despite being younger. I wasn't alive when this band was big in the 1970's, but I do realize Chicago was a talented band. Unfortunately people only remember Chicago for ballads not hard rock songs. I really couldn't find any songs you really could call "ballads". Overall I rate this album 8.5/10.
-Anthony
The Chicago Transit Authority
The Chicago Transit Authority was the debut of the band Chicago released in 1969. It wasn't until the actual transit authority threatened to sue that the name was shortened to Chicago. The sound of this album is a mix of big band and rock. The guitar work on this album is great though, despite being a band with horns. Chicago had a unique sound of horns and electric instruments, similar to some early 60s pop bands. Chicago though wasn't as radio friendly with this album, which had really long songs and solos.
My personal favorite songs of this album are "I'm a man", which has a cool bass intro, "Southern California Purples", and "Listen". Many songs of this album are unlike the Chicago later on. There are no sappy love songs on this album. Still though this album is not for everyone. Some of the songs are really drawn out and repetitive. Also there are some unique but forgettable tracks like "Free Form Guitar", which is basically just 7 minutes of guitar feedback. The guitar may be sloppy at times, but the tone on this album is very similar to Jimi Hendrix, which was an influence.
Another standout part of this album is the bass lines. Peter Cetera was a really good bass player, but this fact is often forgotten. This album sounds like it was well put together, but possibly the band had a bit too much freedom. The drum solo on "I'm a man" is also a cool part of this album, but drags on a bit. There are some songs you can hear on the radio from this album, like "Beginnings", but overall this album gets barely any airplay. This is unfortunate because this is a really good rock album, many people though could be turned away because of the horns on some songs.
I feel like this album generally deserves more recognition. There is a cool blend of jazz and rock on this album, which I enjoyed despite being younger. I wasn't alive when this band was big in the 1970's, but I do realize Chicago was a talented band. Unfortunately people only remember Chicago for ballads not hard rock songs. I really couldn't find any songs you really could call "ballads". Overall I rate this album 8.5/10.
-Anthony
3/18/14
Black Sabbath: Paranoid
What else can you say about this album other than it was extremely influential to heavy metal. The album "Paranoid" has many classic key songs such as; "Iron Man", "War Pigs", "Hand of Doom", and the title track, which was written at the last minute. This album may not of been well received back in 1970, but is considered great nowadays. It could be that Black Sabbath were ahead of their time that they were negatively received. This album was considered pretty extreme back in the day, but not so much in recent times.
This album was key to the heavy metal to come in the future, but still had some blues roots. Led Zeppelin may of been heavy on some songs, but Black Sabbath seemed to be "true" heavy metal. Most likely you heard most of the songs on this album at some point. "Iron Man" and "Paranoid" may be overplayed, but I still can listen to them. Personally my favorite song off the album is "Hand of Doom", an anti-drug song which is sort of ironic. Some unique songs are the drum solo "Rat Salad", and the slower blues type song "Planet Caravan" which has a cool guitar solo. The guitars and bass sound especially good on this album.Ozzy went on to solo success in the 1980s, but it didn't add up to Black Sabbath in my opinion. Overall this album is worth a listen, especially if you are a fan of heavy metal. There was no other album like this at the the time of hippies. Overall I give this album 10/10.
-Anthony
Black Sabbath: Paranoid
What else can you say about this album other than it was extremely influential to heavy metal. The album "Paranoid" has many classic key songs such as; "Iron Man", "War Pigs", "Hand of Doom", and the title track, which was written at the last minute. This album may not of been well received back in 1970, but is considered great nowadays. It could be that Black Sabbath were ahead of their time that they were negatively received. This album was considered pretty extreme back in the day, but not so much in recent times.
This album was key to the heavy metal to come in the future, but still had some blues roots. Led Zeppelin may of been heavy on some songs, but Black Sabbath seemed to be "true" heavy metal. Most likely you heard most of the songs on this album at some point. "Iron Man" and "Paranoid" may be overplayed, but I still can listen to them. Personally my favorite song off the album is "Hand of Doom", an anti-drug song which is sort of ironic. Some unique songs are the drum solo "Rat Salad", and the slower blues type song "Planet Caravan" which has a cool guitar solo. The guitars and bass sound especially good on this album.Ozzy went on to solo success in the 1980s, but it didn't add up to Black Sabbath in my opinion. Overall this album is worth a listen, especially if you are a fan of heavy metal. There was no other album like this at the the time of hippies. Overall I give this album 10/10.
-Anthony
3/18/14
Kill em' All
This album was very influential and like nothing the band released later on. There really is no point where the music slows down on this one. Pretty much all of the songs are worth listening to, except I really never paid any mind to "Motorbreath". Some of the standout songs are "Seek and Destroy", "Whiplash", and "The Four Horseman". I especially like how horseman chugs along like a gallop. The bass solo "Anesthesia Pulling Teeth" is also interesting, which uses distortion and wah pedals. Nothing Metallica released later on had as much momentum in my opinion, but "Ride the Lightning" comes close. Metallica really was what got me into metal, and this was the second Metallica album I bought after RTL. The guitars on this album sound fuzzier than other albums to me, also the bass can be heard better than other albums by Metallica. This album is a must have for the thrash genre. Overall this album is pretty fast paced and flows well, I give it a 8.5/10.
-Anthony
Kill em' All
This album was very influential and like nothing the band released later on. There really is no point where the music slows down on this one. Pretty much all of the songs are worth listening to, except I really never paid any mind to "Motorbreath". Some of the standout songs are "Seek and Destroy", "Whiplash", and "The Four Horseman". I especially like how horseman chugs along like a gallop. The bass solo "Anesthesia Pulling Teeth" is also interesting, which uses distortion and wah pedals. Nothing Metallica released later on had as much momentum in my opinion, but "Ride the Lightning" comes close. Metallica really was what got me into metal, and this was the second Metallica album I bought after RTL. The guitars on this album sound fuzzier than other albums to me, also the bass can be heard better than other albums by Metallica. This album is a must have for the thrash genre. Overall this album is pretty fast paced and flows well, I give it a 8.5/10.
-Anthony
3/13/14
Led Zeppelin II 1969
This album took the debut a step further, in every aspect. The songs are heavier, and it sounds like they were starting to grow as a band. Of course this album was blasted by critics at Rolling Stone when it was released. Only the most perverse music snobs would rate this so poorly. You can read the original Rolling Stone review from 1969, and it is just laughable because of how big the band got. There are classics here from Led Zeppelin, and I guess that people just didn't understand them yet. There is a good mix of hard rock and blues present, and sounds like a tad more originality.
The album starts with the heavy track "Whole Lotta Love", with the unmistakable bass line and guitar riff. Then toward the middle of the song comes a whirlwind of sound, and it zig-zags around like craziness in your headphones. Then the song comes back to a heavy riff to close. I was shocked when I first heard this, and listened to this song for the first time quite a while ago. The album also contains "Heartbreaker", and "Livin' Lovin' Maid". These two songs are pretty much linked together and flow well, so you usually hear them one after the other on the radio.
I didn't like the "Lemon Song" at first, but it started to grow on me. The bass line that goes with the slower part of the song is great. Surprisingly, this bass line was created in one take, and it is so complex and has funk type style. Another great track is "Ramble On", which alternates between soft and heavy. Here is another great bass line played by John Paul Jones; it almost seems like he put all he could into this album. The drum solo in "Moby Dick" showcases the talent of John Bonham, which was previously evident anyway. The drum solo beats out GInger Baker's, and has a great riff to go along with it, similar to Black Sabbath's "Rat Salad". This guy can even do a solo with his hands!
On to Robert Plant. It seems like his singing really advanced since the debut. He has some great lyrics, and at times contain innuendo. Plant's blues vocals are believable, and he can really get his voice high, but doesn't exactly scream. Jimmy Page's guitar sounds as if it answers Plant's vocals in the "Lemon Song", which is an interesting part to the album. Robert Plant sort of gets sappy on the song "Thank You", which is probably one of my least favorite songs on the album, but is still great.
How much more influential can an album get? This can easily stand up to Black Sabbath's Paranoid, and I pretty much enjoy both equally. These songs influenced much of the hard rock and heavy metal to come. It is unfortunate that such a great album got negative reviews at first, but now is universally praised. Led Zeppelin later would prove themselves with their fourth album, which is also worth a listen. This is still my favorite album by them.
10/10
-Anthony
Led Zeppelin II 1969
This album took the debut a step further, in every aspect. The songs are heavier, and it sounds like they were starting to grow as a band. Of course this album was blasted by critics at Rolling Stone when it was released. Only the most perverse music snobs would rate this so poorly. You can read the original Rolling Stone review from 1969, and it is just laughable because of how big the band got. There are classics here from Led Zeppelin, and I guess that people just didn't understand them yet. There is a good mix of hard rock and blues present, and sounds like a tad more originality.
The album starts with the heavy track "Whole Lotta Love", with the unmistakable bass line and guitar riff. Then toward the middle of the song comes a whirlwind of sound, and it zig-zags around like craziness in your headphones. Then the song comes back to a heavy riff to close. I was shocked when I first heard this, and listened to this song for the first time quite a while ago. The album also contains "Heartbreaker", and "Livin' Lovin' Maid". These two songs are pretty much linked together and flow well, so you usually hear them one after the other on the radio.
I didn't like the "Lemon Song" at first, but it started to grow on me. The bass line that goes with the slower part of the song is great. Surprisingly, this bass line was created in one take, and it is so complex and has funk type style. Another great track is "Ramble On", which alternates between soft and heavy. Here is another great bass line played by John Paul Jones; it almost seems like he put all he could into this album. The drum solo in "Moby Dick" showcases the talent of John Bonham, which was previously evident anyway. The drum solo beats out GInger Baker's, and has a great riff to go along with it, similar to Black Sabbath's "Rat Salad". This guy can even do a solo with his hands!
On to Robert Plant. It seems like his singing really advanced since the debut. He has some great lyrics, and at times contain innuendo. Plant's blues vocals are believable, and he can really get his voice high, but doesn't exactly scream. Jimmy Page's guitar sounds as if it answers Plant's vocals in the "Lemon Song", which is an interesting part to the album. Robert Plant sort of gets sappy on the song "Thank You", which is probably one of my least favorite songs on the album, but is still great.
How much more influential can an album get? This can easily stand up to Black Sabbath's Paranoid, and I pretty much enjoy both equally. These songs influenced much of the hard rock and heavy metal to come. It is unfortunate that such a great album got negative reviews at first, but now is universally praised. Led Zeppelin later would prove themselves with their fourth album, which is also worth a listen. This is still my favorite album by them.
10/10
-Anthony
A unique fuzz pedal.
I found this fuzz pedal at a local music store in my area. At a glance it doesn't look impressive, but it actually is. This Flashback Fuzz pedal is from around 1999, and as of now is discontinued. The paint may be worn on the outside, but this thing is still kicking. I personally think this pedal is better with bass, even though it is for guitar mainly. The fuzz has a lot of sustain and can get quite loud. This fuzz has a good amount of low end for bass also. Unfortunately you probably would have to hunt one down on eBay, since it is discontinued. Overall its a good pedal I rate 7/10, the only down side is some unwanted distortion it sometimes produces.
-Anthony
-Anthony
Alice in Chains- Got Me Wrong from the Sap (EP)